Three Reasons Why Summer is NOT the Time to Slow Down Promotion

Call it what you will – the summer doldrums, the dog days of summer, the summertime blues. It really doesn’t matter what you call it, but most all of the statistics show that businesses slow down during the summertime.

Now, if you’re content to follow the crowd, by all means, feel free to follow suit. But, I certainly can’t run my business based on seasons of the year – and as a marketer and CEO, I can’t understand why other businesses would, unless they’re seasonal in nature. So, if you’re able to disagree with the crowd logic (or as I see it, “illogic”), then while everyone else is following the trend, you could be spending your time and energy transcending it.

But, don’t take my word for it. Just ask Dan Fellman, head of domestic distribution for Warner Brothers. Just last week, the latest Harry Potter film chalked up a record-breaking $476 million for its opening weekend. And, Warner Brothers is also spending advertising dollars promoting its summer 2012 blockbuster The Dark Knight Rises, the last chapter in director Christopher Nolan’s Batman film trilogy. The release of the trailer trended high on all the news search engines over the last two weeks, and according to some fans, added more reasons to see the Potter opening weekend debut.

Granted, summer loves the movie industry, but it’s not so much about the industry as it is about one glaring fact: people and businesses don’t stop spending money over the summer. So, in defense of summer, let me offer a few important reasons why now is the perfect time for a full-court promotional press.

• People Still Spend Money - According to the U.S. Census Bureau, retail sales rose .01 percent in June, maintaining a 20-month streak of monthly increases in consumer spending. In fact, despite a lackluster recovery, the U.S. is barely .02 percent away from breaking the record for consumer spending in a single month. That’s not half bad for the summertime. And wait until they calculate a few hundred million dollars worth of movie ticket sales for July.
• Opportunities Abound - While others are sitting back, you could capture the spotlight. One of the truisms about the media is that it never sleeps. It never takes a single day off. And, with iPads and smartphones enabling people to take the news with them, the media is more and more becoming a moveable feast. Consumers don’t have to be home anymore, listening to the radio or sitting in front of a TV, to receive your message when it’s delivered by the media. If things actually do slow down for your business during the summer, then factually, the only answer to turning them around IS promotion, promotion and more promotion.
• Planning Smart - In the event that the summer isn’t a good time for you to promote, it is still a good time for you to prepare to promote. One of the pitfalls in promotion is that you don’t realize you need to do it until it’s too late, and then you’re constantly behind the 8 ball trying to get it done. You wind up behind schedule and you settle for something less than perfect because of the short timetable. Whether you are actively promoting or simply using the summer months to prepare to promote, one thing is for certain – summertime can be the most productive time of the year for your marketing effort.

The summer doesn’t have to be slow. It can be a time when you recharge your promotional efforts and move yourself forward. But feel free to take a break to go see Harry Potter, so you can see how the big boys use the summertime to do more than just take in a little sun.

Just last week, I showed you an interview I did with Lisa Hess, our TV campaign manager, about a typical day in her life here at EMSI. In it, we learned a lot of the different things she does in order to get our clients booked. Although I can always count on Lisa to arrange good TV bookings each week, last week she outdid herself with 4 national TV appearances and 5 local TV appearances on network affiliate stations. So I thought it might be helpful as a follow-up to share with you how she got these bookings.

In her world, there are two kinds of pitches that she uses to garner the interest of national TV producers. While national news programs and talk shows tend to follow the news cycle and seasons, they also sometimes respond to a pitch that is more evergreen, a message that’s not tied to the news but is one that’s timeless. However, in order to generate interest on the evergreen pitch, it has to be creative and really offer the viewers some serious added value.

For example, one of our clients is a world-class certified investment advisor and so our challenge was to make him more attractive to a broad audience that may not have a large portfolio. So, we developed a simple pitch called “Finance 101,” in which we had our expert break down the complexities of the financial markets into short, basic lessons to help people understand how the markets work.

After we sent the pitch out last week, a producer from a FOX Business Network show called back and booked him for the interview. The idea is evergreen, and all we did to make it work was figure out how to take the experience of a guy who helps his clients juggle millions of dollars in investments and boil it down to something that would be applicable to Joe Six-Pack.

Seasonal topics are also important to producers, so we recently put out a pitch for a client of ours who is a dentist and an expert on bad breath, as he has his own line of branded bad breath cures in national chain pharmacies and supermarkets. We pitched the top barbecue foods that cause bad breath, and booked him on local shows in cities he’s traveling to. Seasonal pitches are almost always sought by producers, as they will often dedicate airtime to summertime issues like sun burn and weight loss and holiday stories in the winter. Our success with our dentist client has been built on seasonal pitches, as well as pitches focusing on holidays like Valentine’s Day and New Year’s, when people want their breath to be kissably fresh. I’ll stop there, because I am now sounding like a commercial.

The hard news cycle is also very important to the national news guys, and there is one story in the news cycle that dominated over the weekend – Jaycee Dugard. Her interview with Diane Sawyer and the launch of her book was big news this week, and we knew it would be. So last week we pitched a client who had written a memoir focused on his experience being kidnapped by his estranged father when he was 8 years old. For a six-month period, his father held him in captivity and subjected him to physical and emotional abuse until he was rescued. Our client’s book was part of his healing process, so in that respect we felt he could comment on why someone like Dugard would want to write a book about her ordeal. Last week we pitched him as a guest to all the big networks in the U.S. and Canada, and as a result he appeared Monday morning on A.M. Canada (the Canadian equivalent to the Today Show). The interview went so well that the CBC reached out to him on Twitter to ask him to be live in studio for their nightly interview show Connect with Mark Kelly, the highest rated evening talk show in Canada. The moral of the story is that you never know who is watching. We’re also in discussion with a CNN news show for this client.

So while all of these pitches were successful, they all staked out a different territory – seasonal, evergreen and the hard news cycle. It’s the strategy we use to get our clients on the air.

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Every week I write about the things I think can help people do a better job of marketing themselves by using PR. From a purely media standpoint, it makes sense for me to do that. After all, I’m the CEO. I wrote the book. I’m the expert.

But, I am profoundly proud to say that I am not the only expert. At EMSI we have a team of experts and quite frankly, this team is one of the best I have had in my 21 years of running this business. The work they do on a daily basis is phenomenal.

I thought I would introduce you to them, one by one, over the summer months, and allow them to tell you about what they do every day to book interviews on radio and TV and obtain print coverage. I believe it can be truly enlightening and helpful for you to learn how they overcome obstacles and meet challenges in order to consistently arrange media day in, day out, week in and week out.

The first person I interviewed for this project was Lisa Hess, who joined EMSI more than six years ago. She’s our TV Campaign Manager and her job is to book our clients as guests and expert news commentators on local and national TV programs. She books an average of about 20 TV interviews a month on national and local shows all over the country. She has placed guests on shows like Fox & Friends, Live with Regis and Kelly, CBS Early Show, CNN and The 700 Club to name a few, as well as many top local and regional shows.

Lisa is smart, savvy and as relentless as they come. She knows what makes producers tick and as a result is one of the most prolific media bookers I have ever seen.

I asked her about her job, her daily routines and some of the challenges she faces on a regular basis. These are her answers.

Walk us through a typical day in the life in your job.

I usually get in by 8:25 a.m. and go through my emails and answer anything urgent. Then, I go into our staff meeting where I have a chance to discuss my plan for the day, based on the campaigns I have in the works, and review new pitches that have to get written in order to have a successful week.

Right after the meeting, I check out news headlines to see if any of our national TV clients match what is going on in the news. If they do, I contact the client immediately, asking for their comments, so that we can put together a pitch and get it out by noon at the latest. Any later than noon and I’ll miss the window to get it in front of producers.

Next I follow up on any media responses that might have come in overnight and answer any urgent client emails. After that, I choose which clients to work on for local TV appearances, based on the time zone and the dates the client is to be in that town. If I’m pitching them to a city I have not previously worked with, I create a list of producers and shows and then email blast the pitch. In this way, I balance the incoming responses for the day with new pitches flowing out to producers and making phone calls as needed.

When you’re pursuing local TV appearances for clients in specific city’s, how do you approach it?

When pursuing local TV appearances in the top 100 markets, you can expect there to be about 200 contacts per city. Now, this takes into account everyone in the production food chain, including hosts, anchors, reporters, producers, executive producers, assignment editors and more. The reason I reach out to all these different people is because just about anyone in that chain can recommend a guest for a segment. Also, you never know what the different producers and reporters are working on, and you could get lucky and pitch them on exactly the right guest at the right time. For instance, if a reporter is working on a story about new methods for job hunting, and you’re a job coach who contacts that reporter, you might be a perfect fit for that segment.

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Is there a difference between pitching local TV producers and national TV producers?

Absolutely. Local producers look for things that are light and fluffy and guests that provide information or tips that their viewers can make use of in their daily lives. For example, an expert who can offer unique ways to save money on your food bill is more attractive to a local TV producer than an expert who wants to comment on the breaking economic news of the day.

On the other hand, most of the national producers we deal with are interested in general commentary on the economy, politics, a wide range of consumer trends and top national news story’s. Celebrities, when we have a story related to them, are also good for national producers. They also love experts who can comment on breaking news. In the past, we had a former military pilot who had written a book on crisis management as a client and he happened to come on board right when “Sully” Sullenberg made his famous landing on the Hudson River. We booked him consistently for about two weeks to comment on that story.

Another recent example is a gentleman who came to us with a memoir about being kidnapped by his estranged father as a young child and who was terribly abused during six months in captivity. His expertise was unique and we had great success with booking him on shows that were running stories on both the Elizabeth Smart case and the Jaycee Dugard case. When you have those opportunities, it’s like capturing lightning in a bottle. It hits hard, but lasts for a short period of time, depending on the developments in the news cycle.

Tell us your favorite recent placement and how you got it.

I would have to say it was scoring a two-part interview for one of our clients with Regis and Kelly, only it wasn’t actually Regis and Kelly who wound up doing the interview. As it turned out, Neil Patrick Harris was subbing for Regis that week, which worked out fine because he conducted a wonderful interview.

After a nice little wave of coverage based on an earlier pitch that garnered us bookings on CNN International, Fox Business and a few other national shows, we decided to switch gears and come up with a new angle. We decided on a “job makeover” pitch and fleshed out the idea with new and unique tips for scoring a new job combined with some fashion and style tips on how to dress for the big interview. Our client had a friend who was a stylist and she was going to take part in the segment. So we sent it out to the larger national shows, including Regis and Kelly. Regis’ producer responded and asked if our client could do the segment alone, just on tips for jobs – how to find them, how to get them. But she needed a better plan for the segment to present to her boss, the executive producer. So I came up with the idea while driving home from work that day about a segment that revolved around the do’s and don’ts of getting a new job. The client and I brainstormed a bit the next morning with our strategist and we came up with a really great segment, complete with tips, statistics and graphics – everything the producer would need to not only sell the segment, but produce it, as well.

The way the segment aired really made use of all our work. Harris and Kelly sat on chairs to the right and our client sat facing them. On the back wall of the set was a giant screen, where they projected our bullet-pointed tips as they interviewed our client. It was a little bizarre watching all the work we had done in our office being broadcast on national TV, with very little editing from the Regis and Kelly production team. It proved to us that the best way we can serve our clients is to be of service to the media. When we can make their jobs easier by presenting them with good material and a good segment that’s going to be interesting to their viewers, the producers will keep coming back to us for more.

(Here’s a link to that interview: http://emsincorporated.com/live-regis-kelly-january-7-2011-dr-michael-woody-woodward/.)

What’s your advice for someone looking to do a TV PR campaign?

Keep in mind a few key concepts. First, doing one or two local or national interviews is not going to instantly catapult you into the spotlight. It is a process, a ladder that has to be climbed one rung at a time. Second, it’s not just about the booking. It’s about the execution. Getting booked on TV is only half the solution. You have to be really good when you get on the air. So, regardless whether you’ve done dozens or TV interviews before or you’re a total novice, you should be open to the idea of media training. We do that with all our TV clients, including you, Marsha, if I recall correctly.

Finally, when you get on TV, don’t sell. Educate. People fast-forward through commercials because they hate being sold all the time. If you try to sell in your segment, they’ll fast-forward through you, too. If you educate and provide the viewers with information that can help them in their lives, they’ll be far more inclined to buy what you’re selling. The TV camera does more than put a few extra pounds on you. It can spot a fake and it can also make someone who is genuine look truly sincere. Just be yourself and let your expertise be your main tool on the air.

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In every business, there is always a need to hire an outside vendor. Whether you need a carpenter to build an office partition, an accountant for tax advice or a public relations firm for raising awareness, executives will need to seek outside expertise from time to time.

The success or failure of those engagements relies a great deal on a company’s ability to manage those vendors. Being in the client service business myself, I live in both worlds. My agency is hired to consult with other businesses, and as a business owner I sometimes have to bring in professionals to service my company. While most of my experiences on both sides of the fence have been mutually beneficial, I find myself learning from those few that have not. That’s why I thought it might be helpful to offer a few tips on how to make your vendor engagements successful ones.

• Vet Them – Before you hire anyone from outside your firm to work for you – whether it’s a plumber or an accountant – vet them well. Don’t accept braggadocio; instead, look at their past experiences. Do all that you can to ensure, to the best of your ability, that these people are everything they say they are. Find people you can trust to do what they say they will do. If you’re not reasonably sure, don’t hire them. It’s that simple.
• Trust Them – Now that you’ve made the decision to hire them, give them everything they need to do their job, including your confidence in their expertise. Allow them to do their job and perform as promised. If they don’t perform, it will be readily apparent to you and that would be the time for questioning, not before. Until then, treat them with confidence and trust.
• Respect Their Expertise – The irony about this tip for me is that every so often a potential client will come along because he heard from someone else that my team and I are experts in our field. But soon after, we’ll get questioned on the strategy and tactic we recommend to the point of disagreement. As you would never dream of ignoring an attorney’s, surgeon’s or accountant’s advice, similarly once you’ve made a decision to hire a vendor, respect their professional expertise and the counsel they provide.
• Keep Out of Their Way – If your pipes burst, you call a plumber, but if you stand over him with a wrench in one hand and a length of pipe in the other and insist on directing him on how to fix your pipes, you’ll only wind up with pipes that were not expertly repaired. Some people actually do that, and when the pipes break again, they complain to the plumber that he did a bad job. Don’t create artificial roadblocks to your vendor getting the job done because you want to micromanage a project. Hire them, give them some direction based on the goals you want them to meet, and then keep out of their way and let them do their magic.
• Play Ball – When you choose a vendor to work with, be it your ad agency, web designer, marketing consultant or PR specialist, recognize that you’ve hired that expert to help solve a problem or achieve a business goal. Therefore, you need to play ball with them and be ready to change your direction if their expert opinion is that you’re headed down the wrong road.That said, you are fully within your rights to reject that expert’s recommendations. If you do, however, you lose the right to complain that you didn’t get your money’s worth. When you hire an expert, you aren’t paying for what they do as much as you’re paying for what they know. If you discount it, then it’s as if you’re taking half of the fee you’re paying them and throwing it away.

  Remember, you hired them for a reason. Let’s face it, if you could have done it yourself, you’d have done it by now.

Hiring good vendors is a key to business success. You’ll get the most out of your money by hiring smart, and then managing them even smarter.

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One of the key paradigms that is shifting in today’s PR world is the influence of bloggers.

Keeping in mind there are hundreds of thousands of bloggers on the Internet today, there are some who drive opinions far better than even celebrity endorsements. According to the 2011 Social Media Matters study by BlogHer.com, women who read blogs routinely trust implicitly the advice and recommendations they receive, especially if it is from a blogger they follow on a regular basis.

“We find this is true in every study conducted over the past four years and the effect never diminishes,” according to the study’s report to the media. “In this year’s Social Media study, 88 percent of the active blog readers in the U.S. general population trust the information they get from familiar blogs. Asked why they have this level of trust, nearly half (48 percent) say it’s because they had made purchases in the past based on blog recommendations and were satisfied with the results. More than 50 percent of the active blog readers in the general U.S. online population have made a purchase based on a blog recommendation. That number jumps to 80 percent in the BlogHer network community.

Moreover, familiar bloggers are preferred over celebrities, a finding that will certainly find some ad agencies cringing.

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This information is key in the book marketplace, especially because 48 percent of all books sold in North America are sold online (44 percent through Amazon and 4 percent through BN.com). With consumer trust in familiar bloggers at such high levels, it’s a fair assumption that bloggers are influencing more of those sales than in the past. Circulations on key book review publications like Publisher’s Weekly and Kirkus Reviews – which drive opinions with book buyers for the major retailers – are becoming increasingly irrelevant, as more consumers choose to buy online instead of the brick-and-mortar stores serviced by those buyers. Before Amazon was a force in the book industry, those buyers had a lot more influence over what consumers bought by deciding to stock certain books at higher levels. Today, much of that influence has been transferred to Amazon and the reviews posted on that site. And, many of Amazon’s regular reviewers also have their own book blogs, doubling the influence those bloggers have over readers.

It’s a trend we’ve followed, and to which we’ve responded, by including more than 650 of those key bloggers in our media databases for our print campaign clients. It’s something every author and publisher should also consider when approaching any book PR campaign. In the past, bloggers weren’t recognized as thought leaders; they were sparsely read voices in the wilderness. But, today’s crop of book bloggers serve millions of readers who trust them and are opinion leaders in a marketplace that is more Web-based. In fact, Examiner.com hosts one of the most popular book blogs on the Internet with a recorded 7 million visitors per month. That’s 2 million more sets of eyeballs than sees the Sunday New York Times. That’s why we treat bloggers with the same importance that we treat any other print or online journalist from the mainstream.

Think back 10 years ago when a PR campaign yielded an online article. Many agencies wouldn’t even report it to the client thinking, “Oh, it’s only a Web hit.” Today, those Web hits place consumers one click away from making a purchase. So if you’re planning a PR campaign to promote a book – and you don’t include a heaping helping of book bloggers in your outreach – you’re missing a boat the size of a few of the larger states in the Union.

The Internet is changing the way we do just about everything, including selling books. Smart authors and publishers will change with those trends if they want to stay relevant to the only audience that matters – their readers.

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One of the most common dilemmas I encounter with many clients is the preconceived notions of what it takes to make sales. The problem with these preconceived notions is that they often misdirect people into thinking there is empirical evidence that lays out the sales cycle in absolutes. But, that just doesn’t exist.

So, what IS real? Exposure is a real tangible element in a marketing and sales cycle, because without it, you can’t sell a thing. Just as a candle under a bucket yields no light, a product or service that no one knows about will yield no sales. People have to know about you to do business with you.

Whether you are selling a book, a product or a service – exposure is the first and primary goal of marketing. While exposure doesn’t guarantee sales, any hope of generating sales can only result from getting in front of your potential consumer. But, when your product receives that coveted exposure to the masses, the X-factors in play become whether or not consumers will like what they see. Your product will either be exactly what the consumer is looking for, or it won’t.

I was talking to my senior strategist and he reminded me of the launch of New Coke back in the 1980s. Coca-Cola decided that Pepsi’s gains in the marketplace meant that consumers wanted a sweeter-tasting soda pop than Coke’s patented formula delivered. So, they scrapped their mainline product altogether and introduced New Coke with a multi-million dollar ad campaign featuring prime time darling Bill Cosby.

Their new product launch tanked. Consumers wanted their old Coke back. The moral of the story is that everyone in America had been exposed to New Coke. But, it also appeared that no one in America wanted to buy it. That’s the flip side of exposure, because great marketing doesn’t make something a quality product, nor can it fool people into wanting something they wouldn’t ordinarily buy. Your product must be able to stand on its own once it receives the exposure.

In the absence of empirical data, let’s take a look at some anecdotal data – specifically, your own. Ask yourself some simple questions. When was the last time you made a purchase of anything after being exposed to it only once? When was the last time an advertisement or an article about a product or service made SUCH an impression on you that you immediately made arrangements to buy it? If you’re like most consumers and business decision-makers, the answer to that question is either never, or rarely. The first step was that you were made aware of it, and perhaps after several exposures to that item, you then became interested in it.

Interest is what comes as a result of exposure, but interest doesn’t necessarily get you reaching for your check book. Interest usually spurs you to get information. You research it online, you ask friends about it, you ask business associates to weigh in on it – you collect your OWN data. And if you still want more information, you may decide to contact the company and ask them about it. My point here is that there are hundreds of ways to act on interest that does not involve making a purchase, and each of those actions represents a series of decision points, at which you may still decide not to buy.

Short of climbing inside our heads, which some researchers are doing these days under the category of “behavioral research” to track how consumers make buying decisions, there is no ironclad way to track what happens with the consumer from the point of exposure to the point of sale. In the advertising world, you’ll find a wide range of references about the frequency of advertising required to CAUSE a sale. But, my problem with those theories is they don’t take into account what actions the buyer took during the “interest” phase of their buying process that really caused the decision to buy.

And that is my point, and it’s why I know the value of PR and it’s how I’ve been able to sustain and grow a thriving PR agency over the course of 20+ years, through recessions and economic downturns and absolute market upheaval. It’s because of this one truth: You can’t sell anything without exposure that creates interest in the minds of the consumer. And PR is the most cost-effective and successful way of achieving that exposure and interest.

So, while good marketing and PR may not make record-breaking sales a mortal lock, you will never even be in the game without it.

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Usually, I like to dispense advice from the standpoint of having been in the media for 20 years, but this week’s advice is more in the land of common sense.

When you go to the store and you can’t find the exact product you’re looking for, what do you do? Do you just go home empty-handed? Or do you ask a manager? Most of the time, I ask a store or assistant manager if they carry the product, or if they can order it. And, most of the time retailers want to work with customers, so they’ll find a way to get what you want. After all, if they can service your needs, hopefully you’ll keep coming back.

Whether you know it or not, when you ask for something special, you are participating in a phenomenon one of my clients called, “reverse distribution.” Your request triggers a call to a manufacturer or distributor, specifically to get that product for you. On the other end, there is a business that is now going to fill an order they would not have received, had it not been for you asking for that specific product.

Now, reverse the roles. YOU’RE the business getting the unexpected order. That order is golden, because it’s gravy. It’s like finding money you didn’t know you had. Now wouldn’t it be great if you could get more customers asking retailers for what you manufacture?

You can actually make that happen. Public relations campaigns are frequently the spark that fires up reverse distribution, because effective media exposure educates consumers about your product, which motivates them to go into the store and ask for it by name.

To explain how this works, I love sharing this story from one of our clients, Stephen Grubb, President of SoyNut Butter Company. It really illustrates this concept extremely well. He said:

“The media exposure you got for us resulted in kind of a reverse distribution process. In other words, instead of waiting for stores to carry our product, this publicity campaign created such demand that stores are calling us to order our products – just to satisfy their customers!”

I loved getting this feedback!

But, another reason to consider a publicity campaign for your products is because it can help open doors with store buyers. Retailers will be far more likely to order your products if they know you’re planning a publicity campaign that will drive consumers into their stores.

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In the age of the Internet, everyone has a blog.

According to BlogPulse, there were 152 million blogs on the Internet at the end of 2010 and the trend doesn’t seem to be slowing down. Many of these bloggers have become opinion leaders in their particular areas of expertise, while others have next to no following at all and blog just to let off steam. So how do you know which bloggers to target when you’re promoting yourself or your company and which ones to ignore? I have a few tips that might help you weed out the followers from the leaders:

• Check Their Bios – Many of the top independent bloggers didn’t start out as bloggers. They came from the ranks of the traditional media. Over the last 10 years, as advertising revenues have dwindled for newspapers and some broadcast outlets, veteran journalists and media personalities have either been laid off or they took the early retirement that was offered to them as part of the downsizing. These guys are the top dogs of bloggers, so check their bios on their blog pages. If it reveals that they once wrote a column on finance for the Dallas Morning News, then they probably have a pretty good following and they are influencers in their area of expertise.
• Check the Web – If you’re unsure about a blogger’s credentials, Google them. If your search turns up old articles they may have written in print publications, then you’re probably on solid ground adding them to your list. If your search turns up nothing, chances are they are one of the voices in the wilderness who isn’t a high percentage target for your media list.

• Check Their Traffic – There are plenty of Web sites like www.statsaholic.com that will tell you the traffic a particular Web site is receiving. You simply go to the home page and type the URL for the Web site you’re curious about into the search field and you’ll get the stats for that page for the last few months. When I look up a site to see if it’s viable, I’ll rate the traffic against the circulation typically associated with an enthusiast publication in the same field.

  For instance, when I searched paulocoelhoblog.com, a popular book blog, I discovered the site averaged around 60,000 unique visitors per month. That’s a healthy range and worthy of being on my media list. Then, I searched artsbeat.blogs.nytimes.com, the New York Times portal for entertainment reviews in general, and I saw they averaged around 400,000 unique visitors per month, which I thought was a little low for a NYT branded site. Considering that site isn’t just about books, but about the whole range of entertainment topics, the smaller book site compared nicely against it.

• Check Their Other Media – Readership of the blog isn’t the only benchmark. For instance, John C. Dvorak is the dean of consumer technology reporters. He reviews products, comments on the industry and has been a contributing editor for PC Magazine for the better part of two decades. His blog at www.channeldvorak.com only receives about 8,000 unique visitors per month, according to the stats I saw. However, he is everywhere.

  Based on a Google search, he also has another blog called www.dvorak.org, which receives an average of 70,000 unique visitors per month. Plus, he has a radio show at www.crankygeeks.com and an online TV show, tech5.mevio.com, that received 7 million unique visitors in March of this year. Plus, he still writes for PC Magazine, a top newsstand publication with several million in circulation. So, don’t discount a blog just because it may have low traffic. Using the blog as a way to contact a key guy like Dvorak is not a bad bet for consumer technology companies.

Of course, there is a little legwork involved to find the top bloggers. But, as bloggers are here to stay, the key is to use the information available and make sure to include them in our PR plans.

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In a media landscape that is growing and changing nearly every day, most of the players are relatively new. CNN is barely 30 years old and Fox News is a teenager at age 15. Even New York’s WABC-AM radio station is only 60 years old. So when Chicago flagship radio station WGN-AM announces that 2012 will be its 90th birthday, it’s cause for celebration.

But it’s not just about a big birthday or a dazzling history; it’s that WGN is a sterling example of why the medium of radio isn’t going away anytime soon. Over the course of its 90 years, WGN has been with us through some of the key stages of American history and with some of our country’s most beloved broadcasters.

After doing some homework I found that back in 1925, it was the first radio station to broadcast from a courtroom. WGN allowed the nation to listen to the famous Scopes “Monkey” Trial in Dayton, Tennessee, where teacher John Scopes was tried and convicted of teaching the theory of evolution in a public classroom, in violation of a local ordinance.

WGN was also the first home of Paul Harvey, whose voice and news perspective graced the airways from 1933 until his passing in 2009. His signature show, The Rest of the Story, debuted on May 10, 1976, after he had already been in radio for more than 40 years. In 2005, President George W. Bush awarded Harvey the Medal of Freedom, the highest civilian honor in the U.S.

WGN not only groomed vital broadcasters, but it was also home to some of the most entertaining ones. Longtime Chicago Cubs broadcaster Harry Caray, who called games for the Cubbies from 1982 until 1997, will long be remembered by Chicago natives for his love of the city and where his namesake restaurant still serves the Cubs’ faithful. Others outside of Chicago will remember Caray for the outrageous way comedians like Jay Mohr, Will Ferrell and others lampooned Caray over the years.

As WGN continues in the new millennium, they are branching out into the new ways radio stations can be heard by listeners. Fans can listen live online from their desktop or laptop computer or on the go by downloading WGN’s app for iPhones and Blackberry smartphones. They understand that it’s no longer just about the size of their signal tower, but also about leveraging new technology to continue to connect with listeners.

That’s the resilience of radio. Instead of cowering at the power of new technologies, the radio industry harnesses it for its own purposes. They understand that those voices in the air will always have power and people will always want to listen, whether they hear the show in their cars, at home, on their computers or even their smartphones.

Radio is everywhere because people like it. And that’s why the interview format on radio remains so relevant in marketing. The power of being a guest on a show is that 10 to 20 minutes of valuable air time where you’re able to engage a loyal and dedicated audience with your message. Complement this with the implicit third-party endorsement you receive from the host and you have marketing gold.

Radio isn’t going anywhere. Instead, it’s going to continue to grow and extend its reach, as technology keeps introducing new ways to deliver content to the consumer in this fast-paced e-world. WGN understands this and that’s why they are the grand old man of the industry.

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Have you noticed how Charlie Sheen has quieted down? It’s not that his public meltdown has slowed or that he’s run out of things to say. It’s just that he isn’t saying it on radio anymore.

I was actually surprised when I realized that Sheen’s daily presence in the news wasn’t just from his tweets or his videos that he posted online, but rather his radio interviews. The meatier comments the media used for their stories about Sheen actually came from his constant calls to national radio shows like The Dan Patrick Show, The Alex Jones Show and a wide variety of morning shows in different cities.

In fact, Philadelphia’s Wired 96.5 FM station – recognizing Sheen’s penchant for phone-in radio rants – flew a banner over Sheen’s house inviting him to call the station. He did and another news cycle ensued.

The interviews then fueled more tweets on Twitter and provoked TV and print outlets to seek out Sheen for other interviews. Now does that mean I’m saying that a public meltdown in radio interviews is a good PR strategy for drawing attention to your message? Of course not, but make no mistake, talk radio was the fuel behind his media engine.

And that’s a lesson that should not be taken lightly and it proved one thing that advocates of other, more technologically-driven media, seem to want to downplay: people are still listening to radio. They are listening to radio and paying attention to what they hear. That’s why I feel very strongly about the value of talk radio as a key component of any well-balanced media campaign.

A good radio interview can fuel social media, because it gives you something to tweet about. It also works well in conjunction with print coverage and appearances on local and national TV, because it provides a longer form format for your message. Whereas an article may only be 500 or 600 words or a TV appearance only 3 to 5 minutes, a radio interview can run anywhere from 10 minutes to an hour, depending on the show and how interesting you are to the host and the listeners.

What I love most about talk radio is that it provides a forum for guests to demonstrate their expertise in their field, making them attractive to customers, clients and also decision-makers from other media outlets. It’s also the one place in which they can communicate their message in their own voice, in their own tone and their own words – unedited – to listeners within the range of the radio show’s signal. If it’s a syndicated show, their message can be heard nationwide.

So, if you’ve been thinking about doing PR, be sure to include radio as a key venue for your campaign. People are definitely willing to listen to you, if you’re willing to speak to them.

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